A Different Take on "Vote Different"

Cross posted at MyDD

The compelling "Hillary 1984" video recently introduced on YouTube represents "a new era, a new wave of politics ... because it's not about Obama," said Peter Leyden, director of the New Politics Institute, a San Francisco-based think tank on politics and new media. "It's about the end of the broadcast era." - Full Article

This strikes me as right, but it's amazing to me that, in all the great discussions of the anti-Hillary Vote Different ad remix, no one is following this train of thought to its logical conclusion.

Everyone is convinced - rightly I think - that this represents the beginning of the end for top-down campaign messaging - or at least a significant shift in the balance of power. Supporters and critics alike now control the message in a remix free-for-all that is more powerful than stale, traditional political advertising, and this represents a radical advance in the public' ability to participate in the democratic debate. Hallelujah, the broadcast era is over!

. . . so why do we keep trying to measure the impact of videos like Vote Different with the same metrics as we do those same stale campaign ads we're so eager to replace?

Krempasky (emphasis mine):

KURTZ: ...In a larger sense, Mike Krempasky, have media organizations and the campaigns themselves just lost control of the dialogue to the YouTube culture? This is a powerful thing to be able to make an ad and two million people see it.

KREMPASKY: It's true. And I think Jeff pointed this out earlier in the week.

Two million is a big number, but it's not a big number when we're talking about the kind of audience the campaigns are broadcasting through to, you know, just standard television buys (ph). They have lost a measure of control, but that's actually pretty good.

You know, on one hand, we can't complain that we spend a billion dollars on political ads and then do things that sort of discourage people from making amateur cost-free ads and generating conversation. I think they're both OK and they're both good, and the more speech the better. ...

I don't mean to single Krempasky out here. He's clearly trying to make different points, but the fact that he even said this is significant. Whether it is the blogosphere, the campaigns, or the traditional media, one of the ways that we are measuring Vote Different is in its total audience. Not only that it is voter generated content - but that it is widely seen voter generated content. Everyone is asking what does this mean and how does it stack up next to those traditional campaign ads?

This isn't wrong, but it completely misses an important point. Yes, we will have candidate remix videos that reach a wide audience. We had Jib Jabs in 2004 (and I don't think we did too bad a job with our own Partisan Jabs), and in the next 20 months we'll have remixes that make Vote Different look like the little leagues. But that's ok, because the little leagues are where the real action is at. That's what we're missing in all the analysis thus far.

Just as the New Politics Institute is advising campaigns to eschew network ad buys in favor of more targeted, and cheap, cable buys, so too should we apply that thinking to our analysis of political video remixes. There will be hundreds, maybe thousands of remixes in the next 20 months. Political versions of this for gamers. More like this for die-hard supporters or those who have dealt with illness. Very few will reach a mass audience, but thats ok. They don't need to.

Cable buys are smart not just because they are cheap, but because they are targeted and can help you increase the effectiveness of an ad buy. This theory applies even more so to viral video, which will rise from within and appeal to certain online and offline niche communities. It will speak in their language, to their concerns, and pass from friend to friend. Through YouTube links and embeds and email forwards. In many ways, it will bring campaign (or rather political) advertising closer to the P2P level - which is really the gold standard if you are looking to influence someone's position or get them to the polls. These videos will drive people to volunteer, funnel donations to a candidate, and enhance the likelihood that supporters will show up at the polls. And because they will primarily reach only their intended community, there will be less chance of blowback from other supporters, opponents, or clueless mainstream media.

So when the next smash viral hit of the cycle emerges, don't forget that there were a few hundred others that didn't get noticed, but may have just as much - if not more - of an impact on our democracy and our politics.

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Interesting indeed

What I’m curious to see is when this will move beyond simple thematic gestures (vote different) or media criticism (that rather devastating montage of Couric) and towards the true development of alternate narratives. This already happens in some ways with text publishing (obviously blogs, but also with email forwards), but the medium of Video is undeniably a more potent communications method, and if we really do see a tipping-point towards democratization in this realm it will make the shifts of the past four years look like a tempest in a teapot.

I tend to think we’re not quite there yet. But maybe in a year or so when the heat is really on…

Add satire

Add satire to the list, and I think that’s going to be 90-95% of what emerges.

If you’re talking about someone making a video that re-imagines someone’s narrative on an issue, or does some kind of Perot-style teach-in via internet video, I think that will be a much, much smaller crop. Potentially, that could be one of the “bigger” hits (Perot did get like 20% of the vote), but I think that what you are talking about is pretty advanced. And would likely emerge as part of a shadow campaign.

Maybe from a social justice or union type organization? Or from within that activist/grassroots class?

Yes

Satire is a big amount of what goes on, which still has some power, but it’s much less than the full potential. Similarly, distributed text production (e.g. blogging) has been thusfar more apt at journalistic critique than journalism itself, at least in America. That’s starting to change, and it will be big as it does (c.f. Oh My News, which started producing original content and completely reconfigured the balance of political power in South Korea.

The move towards decentralized multimedia production (video and audio) is on, and there are plenty of high-quality examples. Have you seen what The Onion is up to? This is about as sharp as a satirical stick can get — sharper than the Daily Show, I’d say — but the quality level is what’s most impressive. The same toolsets can easily be used to generate totally original content. It just takes a jump in creativity.

Great Video

That was hysterical. This is definitely in a class by itself (and one that will probably grow). It also puts Woliner’s recent work in mind. People like this will be producing a lot of quality stuff over the next 20 months.

(For those not in the know, Jason Woliner wrote and directed this video series that Music for America put out monthly in 2004.)

We should totally add stuff like this to the video feed when the redesign goes live.

thanks for flagging Couric

I hadn’t seen the [[http://youtube.com/watch?v=XPE4JLwXpLk|video]]. That’s just creepy. Not nearly as creepy as [[http://thinkprogress.org/2007/03/28/video-rove-raps-at-correspondents-dinner/|this]], but still…

I feel violated after

I feel violated after watching that Rove video. But I guess it distracts from this.

Oh man

Circling the fucking drain.

damn

awkwarrrrrrd….


[[http://www.losethelabel.org/user/3|-6.00, -4.15]]